Depot by Urban Exploration

Graffic Equalisers Compilation

Beta Birmingham, a new record label based in the midlands, has launched with an awesome compilation of wayward glitch-hop, drumstep and bass-heavy craziness called Graffic Equalisers. The album was released today on CD and digitally through Addictech and can be bought through the label for only 3 pounds sterling!

“Beta are proud to present our widely anticipated debut album ‘Graffic Equalisers’, 10 tracks of bass-heavy dancefloor dubs and next generation sub synthesis from the Midlands elite electronic producers. Graffic Equalisers’ weilds a furious artilliary of glitch hop, dubstep and drum and bass, AVAILABLE NOW! both digitally and as a limited edition CD. ‘Graffic Equalisers’ can be found at independent music retailers nationwide, however, it is also available directly from us for only £3 + p & p Visit http://www.betabirmingham.co.uk for more info!”

The compilation also features a track by Red Eye contributors Wobble N Dubb. Destroying Grandma’s House is one of their best tracks to date and is probably worth the asking price alone! Graffic Equalisers has only been available for several hours and Destroying Grandma’s House has already been remixed  – check it out below:::

http://www.betabirmingham.co.uk/

WOBBLE N DUBB – DESTROYING GRANDMAS HOUSE (GROOVEMERCHANT CAKE MIX) by the yardbird

Wobble n Dubb – It’s Not Rocket Surgery [Review]

I’ve never been raped in either of my ears, but I imagine that the sensation would not be dissimilar to that of listening to the merciless new album from Wobble n Dubb. The duo’s debut album, a bass-heavy Techno hybrid called It’s Not Rocket Surgery, demands to be played loud: loud enough to make you think the room you’re in is the only piece of horrific reality left in existence, and everything outside has disappeared into the abyss. It will pulverise the soft tissue of your inner ear and maul at your ear drum to the point of near collapse; it will melt a fuse in your brain and trap you in a dark acid flashback of mental psychosis… It’s not for pussies, I’m for real.

The intro, Brain Science, sets the psychotic pace of the album. Wobble N Dubb ain’t messin’. The Godfathers of Ravecore have returned and they mean serious deviant mash-up business. The album starts for real with the pummelling rhythm of Kokoro’s Actroid pulling you into a futuristic nightmare realm of androids and robots, where the sublimely heavy kick-drums batter out the pace of a revolution. The epic Holy Shiite comes next, a track which not only gives you an insight into Wobble n Dubb’s troublesome sense of humour, it also shows them at the top of their game: eerie and unsettling glitched-out vocals mesh perfectly with pounding drums and a crushing bassline; every second is immaculately and painstakingly produced.

Full of blistering snares and nervous sounding bass, Shifty is just that: the theme tune to a man skulking away down an alley after indecently exposing himself to a schoolboy. The dirty bastard. Then comes the hammering bassline of Propa Wood, thrashing out the soundtrack to an imaginary scene in an imaginary documentary in which David Cameron gets ripped apart limb from limb by a naked midget with a tin opener, and screams of anguish erupt from his posh twat-hole of a mouth as his ridiculously annoying face gets sprayed with lumps of bile-soaked cartilage and chunks of bloody gristle. But that might just be me.

Wobble n Dubb – Propa Wood

The aptly titled Loud is a highlight – its unearthly sci-fi melody fuses immaculately with a thundering signature Wobble n Dubb bassline, and it morphs into a destructive and fierce rave anthem. Monstrously heavy Seppuku is a summoning to watch a ritual suicide by disembowelment – the wobbling bass takes prime position again, ripping apart your ear canal without so much as a bit of courtesy spit to ease the pain. Deal with it or fuck off, it seems to say. Gonzo throws you into a brutal Gabber insanity of thrashing spastics; but then Front Gammon pulls you back out with a jolly little melody, and makes you feel like you’ve landed in the middle of a rave down a rabbit hole with a clarted Tweedle Dum and Tweedle Dee ripping up the dance floor.

The atmospheric and dreamy Tiny Dinosaur Hands brings this demented album to a close in a way that’s actually verging on serene. Maybe Wobble N Dubb aren’t complete savages after all – they have at least had the decency to attempt to calm our troubled minds at the end of this psychotic saga that has been It’s Not Rocket Surgery.

But I do think it’s time for them to fuck off now. Don’t you?

Get the album NOW (at your peril) from Dead Channel
Wobble N Dubb on Soundcloud / Facebook
Check out The Wobble n Dubb takeover on The Otherside Radio show back in January 2011: download here.

More sounds courtesy of Red Eye members