Capitalism: A Hate Crime

Michael Moore

Despite being released in 2009, we’ve only just got around to watching Moore’s latest polemic (Capitalism, A Love Story), which is perhaps his most overtly political film yet. Moore is routinely criticised for over-simplifying issues, not backing up all his points with rigorous research, narcissism and plain old-fashioned partisan politics. While many of these criticisms are often true of his work, that is not why he is routinely criticised. It is because he is a genuine threat to those in power. He speaks emotionally in plain English about important issues and encourages people to stand up for themselves. This is why he receives so much flack. His latest film is hard to criticise on these grounds as it is much more thoroughly researched than previous outings and goes straight for the jugular. Capitalism itself.

There is often something rather jarring about Moore’s documentaries. Unlike much mass-media produced treatise on the structures we call society, Moore’s offerings are ribboned with emotion and dramatic protest that can sometimes seem circus-like, theatrical. ‘Capitalism, A love story’, is in some ways no exception, with Moore playing at performing a citizen’s arrest and draping police tape around major banks. But there is also a simple and hard-hitting breakdown of the facts around global financial crisis, accompanied by archive footage, and a rather predictable yet occasionally effective soundtrack. The call-to-arms here seems a lot more tangible. The disgust you are lead to feel in the plight of families evicted from their homes, at children jailed by a for-profit prison system, is counteracted by pure elation at the footage of strike action at Republic Windows and Doors, and at a community whose peaceful action supported an evicted family squatting their own home.

While I agree that Moore can be a little crass, the accusations of manipulation by the right are utterly laughable. What Moore does (and what the right fears) is to simplify and explain the means by which the super-rich are managing to routinely rob the 95% of the population with little economic power. A good analogy for the way in which the public are usually systematically obfuscated by the financial elite is the formula shown in the documentary for ‘derivatives’. The muddier the explanation for financial catastrophe, the easier it is for those in power to capitalise and exploit the rest of us for their own profit. Moore clears the waters for us, and what strikes me time and time again is how blatant the robbery of the working class has become. This so-called recession amounts to the biggest heist of public money in recorded history, and so far the thieves have gotten away with it.

One point the film makes very well is that we do not live in a democracy, and cannot while the world is still run from Wall Street. Moore talks with Democrat senators who feel that what took place was a “financial coup d’etat”, where power was irrevocably shifted from elected representatives to the CEOs of banks and other financial institutions, by the back door. This is backed up by good evidence. When our governments’ now talk about budget deficits they neglect to mention how much of OUR money they “gave” to the banks. They suggest that these current times of austerity are somehow OUR responsibility, and we must take these CUTS to our vital front line services on the chin, like good loyal citizens to the church of capitalism, and sit by and watch as our most precious institutions are dismantled in the name of efficiency, while private companies rake in the profits.

Yet again we sit in the aftermath of another depressing expose of the system that robs us of our wealth and opportunity. We write in the wake of yet more cuts to services, including proposed cuts to legal aid, a 30% cut for NHS cancer scans, 25% youth unemployment… the list is endless. It is very difficult not to get despondent in the face of all this, difficult not to either block our disgust with distraction- or even give up completely and attempt to suck at the sour teat of the system as if there is no choice or escape. But not so. A point which drove these almost invariably united authors to heated debate was the idea that there is nothing left to do in the face of all this save violent revolution, a forced seizure of what rightly belongs to the people of this planet for the benefit of all. Yet look again… all of the successful protest portrayed within this documentary was peaceful, and a good reminder of the most powerful weapon we have- the right to withhold labour. Without our continued co-operation, this parasitic system can, and WILL fail. Let us not be complacent. We have a responsibility to each other, and the more of us care to remember that, the less powerful that top 1% can be.

Micolagist & Floatfly

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2 Comments

  1. Definitely gonna check this out soon! Sounds like he raises some important issues and your review makes me feel better about having not supported any target based system for so long! I don’t like the idea of suckling at a sour teat!

  2. Good stuff on Detroit and Flint in this too. Echoes of Requiem for Detroit


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