July 24, 2012
Categories: Art, Film, Live, Music, Nepotism, Photography, Urbex . Tags: Electronica., Experimental, Jamie Reid, Leeds, Leeds Art, Urban Exploration . Author: Micolagist . Comments: Leave a comment
“Apologies for swearing in an opening sentence, but have you seen the shitbastard sky we’ve been having lately? In case you don’t recognise it at first glance, it’s that bruise-coloured ceiling of floating misery that has been remorselessly flinging cold water over everyone and everything in the nation for weeks now. There’s moss growing on the inside of clouds up there. The British summer has long been a work of bleak fiction but this year it morphed into full-blown dystopian satire…”
Charlie Brooker is back to full form with a miserablist masterpiece on the shitty british summer. Cheered me up anyway!
Artist and anarchist Jamie Reid, perhaps best known for his work with the Sex Pistols, is currently exhibiting a retrospective of his work at Temple Works in Leeds. The exhibition is on until the July 14th closing with an evening of experimental music and art curated by the Urban Exploration collective.
Interview with Jamie Reid
Urban Exploration Page
Urban Exploration will present a 4 hour epic set involving collaborative improv with Oliver Knight (spoken word), Jenny Komowsky (classical singing), Rowan Reid (singer/songwriter), Umcorps (modular synthesist), and a Navajo indian spirit dancer….all with a backdrop of tipis, interactive visuals and the largest reverb room ever!
More info on this event from Temple Works
Who’s George? Find out on the final night of Jamie Reid’s Ragged Kingdom at Temple.Works.Leeds, July 14, 7:00 pm – 1:00 am.
A fundraiser for St George’s Crypt homeless shelter in memory of our much loved porter Brian Bird (1959 – 2012), the night will see Jamie himself back at Temple.Works.Leeds. An evening of extraordinary experiences will include experimental electronic ambient collective Urban Exploration collaborating with an opera singer, a poet, a singer songwriter (Jamie’s daughter Rowan), a hip-hop mc and a modular synthesist, and an acoustic set by Brian’s friends the Urban Stage Band – moving from the Joiners bar into the Open Loading bay for a night of sound, light and …dancing by our surprise guest, Dennis Lee Rogers, the Spirit Dancer of the Navajo Nation in proximity to Jamie’s immense tipis which form part of his ongoing work around the Eightfold year. Celebrated dancer, artist and educator, Dennis met Jamie Reid in 1998 while on tour in U.K and returned to open Ragged Kingdom.in London in October 2011 http://www.youtube.com/watch?v=1q2Impc6pM8. Jamie’s piece Corporate Slavery currently hung in the Joiner’s Bar Main Gallery Space features Dennis himself.
In the wake of the current onslaught against first, Jimmy Carr, and now Frankie Boyle for exploiting tax loopholes, the obvious question is why are comedians bearing the brunt of the flack against this endemic practice? Whether or not they are guilty of “moral” crimes (as David Cameron, of all people, would have it) ignorance or just “thrift” – neither of them had broken the law as it currently stands, but simply “managed” their accounts using the same old methods rich people have been using for generations. Creative accountancy is booming business and tax evasion is nothing new. Cameron’s own family fortune was made in tax havens. So is it one rule for big business and another for the rest of us? Why call comedians out for their financial activities when it is so common place among all the wealthy? Is it because they are accused of hypocrisy – undermining the moral high ground they appear to take in their performances? Are they just being called out to set an example because they are household names? Or is it just plain old mudslinging?
Arguably comedians have greater sway over public opinion than most politicians these days, and that may make them a legitimate target on the political playing field. Both Carr and Boyle have been critical of the government and the right-wing media in the past, and both are very popular performers, potentially influencing the opinions of millions of voters. Satire is still one of the most effective weapons against authority, and maybe it is beginning to be treated as such by those who wish to maintain the status quo, and those who have the most to lose in a swing to the left – people like The Daily Mail and David Cameron – the very people lining up to sling the mud. I very much doubt that this is a coincidence – either way it seems very convenient for them!
Frankie Boyle hit back at the allegations in The Daily Mail, tweeting:
“Amazed to read a Daily Mail story that is bollocks. Whatever next? I’m going to stick up the details as soon as my accountant wakes up.”
and
“From 2007 I have paid £2.7million in tax and this equates to just under 40% of my income. 1/5”
and
“I am certain I pay more tax than most people in show business and the cabinet. 5/5”
I propose, if this new wave of investigating comedian’s bank accounts is to continue, that the same should take place for all those who work at (and own) The Daily Mail group, the cabinet and every single Tory MP in the houses of parliament. Anything less would be grossly unfair to comedians. Now let’s see whose shirt is clean…