Cygnus – Cosmos

Cygnus (real name, Phillip Washington) is an electronica artist who hails from Dallas, Texas. He has recently released the album ‘Cosmos’ which is available to purchase from Bandcamp, for $10. Click here to view/purchase.

The album opens with the track ‘Cosmos I’ and an unusual chord sequence which immediately conjured up images in my head, from Ridley Scott’s, fabled ‘Blade Runner’ movie. I also felt that, if played on a piano, it wouldn’t have been out of place in a free-form jazz arrangement, at least until the track develops, adding an arpeggio reminiscent of the type of melody lines used by Plaid (Warp Records).

A few seconds into the next track, entitled ‘Shuttle Launch’, it became obvious that the influence of science fiction was not only inspiring the artwork, but was firmly woven into the music as well. This one starts with much more of a retro sound, which is quickly accompanied by another interesting and slightly bizarre chord sequence, this time reminding me of Max Tundra (Domino Records).

‘Global Satellite Network’ is the name of the third track, which, when the beat kicks in sounds akin to some of AFX’s Analord series. I expect this is partly due to the use of an analog drum machine which may well be a Roland 909. The first, longer track on the album, this one definitely takes you on a journey, seamlessly altering trajectory between sections.

As well as a clear Sci-Fi element, there is also a strong retro feel to this album, not dissimilar to certain 16bit video games, especially some I used to play on the Sega Megadrive/Genesis. And although ‘Cosmos’ may wear its influences on its sleeve, this is in no way detrimental to the finished product, which appears to me to be the alien love-child of IDM and Electro. Whilst it is neither exclusively, a sense of both genres is apparent throughout. Listen out for the fantastic vocoder part in ‘Cosmos II’ and the beautiful synth work in ‘Cosmos III/Laniakea Supercluster’, which makes for my personal favourite on the album.

My only criticism is that the end is so abrupt, but it did leave me wanting more and certainly didn’t affect my overall enjoyment of this great selection of tracks.

Cygnus has also released music through Icasea Records, Central Processing Unit Records and Radical Symmetry Records. I also thoroughly recommend checking out his release ‘Tesseracter’ on CPU [CPU00001101D].

New series of Derek begins

Ricky Gervais’ comedy/drama Derek returned to UK television last week, this time for a full series. The pilot had apparently been controversial for some, but I just remember being pleasantly surprised by Gervais’ kind but coarse treatment of delicate issues such as disability and the care profession. He did so in a way that was both heartwarming, without ever becoming saccharine, and simple, without ever being boring. A lot of critics seemed unconvinced, but I think they were missing the point, assuming that Gervais was either taking cheap shots at vulnerable people, or that he was attempting some sort of ‘clever’ post-modern ‘so-shit-its-cool’ maneuver.  But this is a sitcom only in the loosest definition of the term, and the only people Gervais is deliberately mocking, are those who get offended mainly as a cover for their own thinly-veiled prejudices. I read a rather scathing review of Derek in The Daily Telegraph today. Nuff said.

The first episode had me laughing out loud a few times, it is definitely very funny – but as with the pilot, the new material is as much to do with empathy as it is to do with cracking jokes. Maybe this is where some of the show’s critics are left wanting. They don’t seem to understand that Gervais is taking the piss out of them. He’s having a go at how, when we see someone we perceive to be different to ourselves, we feel the need to categorise them, and that that category can stop us seeing them as real people – with interests, passions, quirks, humour and emotion.

Coupled with his genuine love for the character, it is palpable that Gervais has created Derek in order to get across his statement about society’s attitudes. When the pilot of this show aired in Spring 2012, a lot of people (critics and newspaper columnists in particular) speculated that the character is Autistic – something which Gervais has denied in the press previously (stating in an interview with The Sun in March last year, ‘I’ve never thought of him as disabled’) and which he brazenly referenced towards the end of the first episode of this series. When a Council representative visiting the retirement home insensitively questioned Derek as to whether he had ever been tested for Autism, Derek offered a stream of questions about what would happen, should he be Autistic, such as, ‘Would I die?’, ‘Would I have to go into a hospital?’ and ‘Would it change me in any way as a person?’. Having received a ‘no’ to all of these queries, our eponymous hero simply said ‘Don’t worry about it then’. In this small dialogue, which lasted no more than a minute, Gervais perfectly summed up his feelings: so what if Derek is Autistic? Can’t we just enjoy him for the unassuming, kind-natured person he so clearly is without questioning whether he has a disorder or not? For Gervais to reply to his critics so concisely through the mouth of Derek was perfect and ingenious. From: http://uktvreviewer.wordpress.com/2013/02/03/derek-episode-1-1-review/

Gervais isn’t scared of getting political either – the main theme of the first installment is public sector cuts. The care home is threatened with closure due to shrinking budgets, and Gervais does a very good job of humanizing this modern problem. It makes for compelling viewing and a very effective strike against this current trend for passing the world’s economic woes onto those who struggle to look after themselves.

All of the characters in Derek represent those at the very bottom of the modern economic food chain –  low-paid public sector workers, the disabled, the elderly, the poor and the unemployed – sections of our communities that have been hit hardest by the Tories’ austerity drive, and subsequently demonized by politicians to justify the attack. Derek forms a much needed antidote to this insidious propaganda, and does so simply by being gentle and honest.

Derek is by no means perfect, and some of the criticisms that have been made of it in other reviews are justified – but I would counter that by noting many may be slamming it because they don’t like the politics. Empathy may be a dirty word now in Tory Britain, but this show is chock full of it – which is exactly why I like it.

Check the first episode out here on 4od:

http://www.channel4.com/programmes/derek/4od

I Come From Leeds – We Are Poets

New York Is Killing Me (Chris Cunningham Remix)

Haunting last video of Gil Scott-Heron

Are Right Wingers Scared of Dependency?

I’ve just been alerted to an interesting article in Psychology Today by Michael Bader (a psychologist from San Francisco), hypothesizing that right-wing attitudes to health care reform may come from a deep-seated fear of dependency. There’s some interesting ideas in here, whether you agree with him or not, it certainly gets you thinking. Often people cite the pursuit of freedom as their primary reason for being against Government-run healthcare. But surely this is irrational? If you are desperately sick and can’t afford to pay to see a doctor you are far from ‘free’ in any sense. In these type of cases Obamacare would increase the level of people’s freedoms. Why are people opposing policy that will ultimately benefit them? Is it that they don’t want to accept a societal responsibility to help others who can’t help themselves? Surely freedom and responsibility are two sides of the same coin, and one without the other is an illusion? Bader tries to plumb the deep psychological depths of these questions and comes up with some interesting suggestions.
Read it here

Other Colours of Noise

Phonode

Phonode is a new website devised by the UE collective. It will focus on the more exploratory fringes of electronic music, demystifying the techniques used by musicians and artists working in the field, reviewing albums and equipment as well as examining the new processes and ideas which drive its creation. As the boundaries between noise and techno blur, disparate scenes seem to cross-pollinate more than ever before, and electronic music returns to a more experimental DIY aesthetic – the time seems ripe to launch a fresh investigation into where electronic music is at, and where it’s going next…

Visit Phonode

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Al Thawra (work still in progress)

Don’t stop fighting for freedom Egypt

owen jones, cringing in the shadow of margaret thatcher

^^^

I’m usually a fan of Owen Jones’ work. I thought ‘Chavs’ was a good book that said some important things that had gone very much un-said in recent times, where even supposed ‘lefties’ started bashing the lowest echelons of our increasingly stratified society. This post from the Commune raises some good points about his views and positioning however; I can’t help but agree with the author that his misplaced faith in New New (One Nation) Labour will lead a lot of his followers and fans to disappointment.

Nude Egyptian Protests Morsi

Today in Stockholm

Femen are certainly not scared of a little controversy – and neither is anti-islamist Egyptian activist Alia Magda al Mahdi, for that matter.

Alia became famous for publishing a nude photo of herself on her blog about a year ago, describing the act as “screams against a society of violence, racism, sexism, sexual harassment and hypocrisy”, positioning herself as a “secular, liberal, feminist, vegetarian, individualist Egyptian” and an atheist since turning 16. She was recently denied entry into France where she was to participate in a nude protest by feminist provocateurs, Femen, outside the Egyptian embassy in Paris. The organisation claimed that Alia had been denied entry into the country by “European secret services”, and that “Unknown forces affecting the management of airlines Lufthansa and Scandinavian airlines” had deprived her of the opportunity to travel to the protest – although there seems to be little evidence for such a conspiracy at the moment.

Alia wrote this about the event on her blog four days ago:

“Yesterday, I was going to protest against the Egyptian draft constitution with Femen and other Arab women in front of the Egyptian embassy in Paris.

One day before, Inna Shevchenko booked me a plane ticket from Gutenberg Landvetter Airport to Paris on Lufthansa and paid for it online, but I couldn’t check-in at the airport. The ticket office woman told me that my ticket was canceled because the payment was not completed. I thought it was an error and had another Femen member buy me a ticket for the next flight on Scandinavian Airlines. I got a boarding pass, checked-in, passed airport security and was waiting for my flight. Then, the same woman came to me and told me that she got a warning about me and I have to show her the credit card used to pay for the ticket and it has to be mine or I will not take that flight. I replied that thousands of people travel with tickets paid for by other people everyday, event holders always pay for participants’ travel expenses, I traveled this way three times before on KLM and Ryan Air and the first ticket was also paid for by someone else. She spoke to me in a not nice way, took the boarding pass and told me to collect my luggage. The woman who gave me my luggage removed the sticker that was stuck to it when I checked-in.

I am disappointed that my freedom of expression is also oppressed in Europe.”

Undeterred by this little hiccup, Femen activists travelled to Stockholm to meet Alia and stage a nude protest there instead – outside the Egyptian embassy.

Femen’s ‘press release’ :

“International women’s movement FEMEN and antiislamist Egyptian activist Alia al-Mahdi have called to say NO to Sharia constitution in Egypt!

Apocalypse of Muhammad

Today in the snowbound Stockholm the world has seen apocalyptic picture. 

International women’s movement FEMEN and antiislamist Egyptian activist Alia al-Mahdi have called to say NO to Sharia constitution in Egypt! Before the decisive day of the referendum in Egypt activists came to the Embassy of Egypt in Stockholm to support Egyptian heroes who are resisting the sharia-dictatorial draft of the constitution of the president Morsi. FEMEN calls people  of Great Egypt to deny this religious bondage of newly appeared prophet Morsi and to give the chance for Egypt for the rightful democratic development.

“Sharia is not a constitution” – it has been written on Alia’s naked body. Her genitals have been covered by the poster shaped like Koran. The three posters in the hands of activists are the symbolic  religious books. In that way  FEMEN warns the world about the danger of the transformation secular constitution into religious. FEMEN warns muslim brother Morsi, if he gave an orders to shoot at his own people then his last resting will be the Nile with crocodiles, not the pyramids. 

Fuck off religious slavery! Viva freedom and human rights!”

Post on Femen website

Alia al-Mahdi’s Blog

Update: This video of the protest has just been posted by Femen on Vimeo

Why Socialism X: Socialised Capital

How would a nascent Socialist State get hold of the necessary financial resources to build new services and re-tool old ones? Mammoth opposition from the privileged layers of the old regime will not make it easy…

Read more on Shape

Why the VICE generation are apocalyptic and frightened

Vice Magazine’s Alex Miller interviews one of Red Eye’s favourite filmmakers, Adam Curtis, in this new piece called Looking Beneath the Waves. In the article Curtis shares some of his latest theories on why the news (in its current guise) is unable to shed any light on the real reasons for the global financial meltdown, why economics is a failed pseudo-science, why a whole generation has grown up to be supremely cynical and paranoid, and the frightening reality of a world in which no-one really knows what’s happening, including both the journalists and politicians that pretend to have all the answers.

A must read.

The 12 Tax Dodgers of Christmas!

So many corporations seem to be at it, it maybe easier to list the one’s that aren’t exploiting tax loopholes (and then nationalise the rest!)

The Problem With Science

New documentary film by Michael Coldwell on philosopher Jim Schofield’s latest theories. Science has made several crucial assumptions that are fundamentally flawed, and may have skewed our view of the world around us.
Music is supplied by our friends in the Urban Exploration collective 🙂

Tony Benn gives BBC a bollocking over Gaza

Rich People Don’t Go To Jail They Go To Inquiries

A Remix Manifesto

Vengeance Rhythm

Protest Report: A Future That Doesn’t Work

We attended the TUC’s Future That Works rally in London at the weekend, to stand with those that oppose the Tories’ relentless austerity measures, and to take a few photos of what went on. Hampered by injuries and fatigue, we maybe weren’t pumped into our usual revolutionary fervor, but I couldn’t help but notice it wasn’t just us that seemed subdued. There can be no doubt that the turnout was good (estimates range from 100,000 to 250,000 participants), there was a lot of good drumming, placards and chants – but that’s where it seemed to end. It’s not that the mood was defeatist, it was more that the methods were conservative and the aims watered-down. While there were many calls for a General Strike amongst protesters on the street, there was little in the way of direct action, anger or real dissent. I’ve noticed that TUC rallies tend to me more populist and ‘middle-of-the-road’ than Occupy and UK Uncut et al, maybe necessarily so, but the real revolutionary contingent seemed missing this time around. What with Ed “One Nation Tory” Milliband speaking at the rally, with what basically amounted to a watered-down version of the Condem’s view on cutting the deficit, and a march that seemed more like a procession – it did appear that the movement had lost a little momentum, and was beginning to settle for ‘the lesser of two evils’.

This seems particularly strange in the current climate, as austerity begins to bite across the globe, with riots, general strikes and murmurs of revolutionary ideas beginning to appear in Greece and other European countries, my initial thought was maybe there just isn’t an appetite for that sort of conflict here in the UK.

But, on doing some reading when I got home, about what went on running up to the march on the 20th of October, it seems that the TUC were complicit in making the march as passive as possible. Read The TUC collaborate with the Met to sew up October 20 for more info on this. Further commentary on how the TUC handed the Met a list of 150 “violent activists” – from Libcom.org

If the trade unions are pushing to get Labour re-elected, and want to improve their image with the powers that be in order to do so, then this sort of conformity is to be expected, and their ‘Future that Works’ amounts to nothing more than ‘we’ll shut up for a promise of slightly less austerity’.

Another good post from Libcom.org, on the ‘state of the movement’ seems to confirm my suspicions that the right wing of the left was laying down the rules of engagement on the 20th of October. Read it here.

Anarchist Jailed For Remaining Silent

Clay and the Collective Body

Just read a really interesting interview with sculptor Antony Gormley (in New Scientist magazine, of all places) that had a surprisingly political slant.

His recent installation Clay and the Collective Body explores “conversations between people – through objects or through the process of creating” by locking 100 random people in a stark white environment, with only a monolithic block of clay for entertainment. This “gave rise to an extraordinary and explosive outpouring of, you could say, collective unconciousness.”

This alien place seemed to trigger something in the participants, something primal that if I was more of a “yogurt-weaver”, I may be tempted to call a universal human connection – certainly the only familiar sight were other people, and the only way of killing time was to create.

“What’s absolutely beautiful is the way that people have occupied that space and become the absolute opposite of what capitalism wants us to be – passive consumers of spectacle, of information, of entertainment, of objects of desire – they become participatory and productive and cross-fertilising.” I thought it was particularly apt that Gormley chose to use the word occupy in that context.

Although Gormley goes on to state that he never intends to make overt political statements with his work, he lets slip that “…there’s no question that many of my works, in different ways, are asking about the connection between humans and our environment. And I think that all my installations in cities of the naked human animal in effigy form – surrogate fossils, industrialised fossils – are asking, where does humankind fit? Now that we seem to be well into the sixth great extinction, how long are we going to contribute to the evolution of life? Those are very big issues”  – and undoubtedly political ones.

Another subject that Gormley brings up in the interview, that is also a favourite of my own, is that of Easter Island.

This ‘ghost island’ captured my imagination from a very young age, as it seems to encapsulate the power that art and iconography can hold over people, our self-destructive tendencies, the damage that can be caused by a flawed belief system and the folly of excess that human civilization seems prone to follow.

“What was in the mind of the man or woman on Rapa Nui who cut down the last tree? It seems the answer to that question is “Well, I cut down this tree because that was what my father did and that was what my father’s father did.” I think we’re in the same position, but we are running on the myth of progress. My work is there to ask pretty serious questions about how we can shift our perception of what constitutes viable human actions or viable human behaviour.”

I always thought there was an eerie connection between Gormley’s sculpture and the statues on Easter Island, and I’m pleased to learn my instincts were close to the mark. Both signify mankind’s strange detachment from the world that bore him, and the lonely marks left on the land after he has gone.

Gormley also goes on to criticise elitism and the determinism of scientific progress – it is a thoroughly thought provoking and enlightened article, that has once again piqued my enthusiasm for art’s potential to induce change, by making us take a long, hard, look in the collective mirror.

Read the whole interview in New Scientist

Culture in Decline

Very good overview of modern economics and how it’s fucking things up. Thoroughly recommended.

Haikyo Volume One

New compilation album for free download from Dead-Channel.com – featuring the work of the Urban Exploration collective – Download here

The Sun should run…

From Sabotage Times

What next for Libya

The attack on the US Consulate in Benghazi, Libya, and the subsequent deaths of the US Ambassador and three other Americans has brought this troubled country back on everybody’s agenda. It has been out of the news for some time now because, from the Western Powers point of view, there had been nothing “good” to report.

In spite of mammoth support for sections of the then opposition against Gaddafi by these major powers, without which he would certainly NOT have been overthrown even now (as Syria is certainly proving), they are certainly not getting what they expected from their expensive intervention.

But that support, mostly military and using both missiles and attack aircraft, still could not guarantee the dominance of that section of the opposition preferred by their western collaborators (and another look at Syria proves that also).

Read the rest on the Shape Blog

Rap News 15

The Revolution Will Be Televised

New BBC comedy series The Revolution Will Be Televised is actually rather good! Like Dom Joly with some more balls, or the Love Police with actual jokes; it is great anarchic fun for all the family, down to earth but with a surprisingly satirical left-wing edge.

Recommended light relief for all those suffering from Tory-itis in these challenging times. If you can’t beat em, laugh at em 😉

Episodes should be up on iPlayer for a few weeks I would’ve thought – here’s a link to their BBC page

Big up the beeb! (and I don’t say that very often)

Assange interviews the President of Ecuador

Putin Lights Up the Fires

New single from Pussy Riot

From The Guardian

Rap News 14

“Tax Dodging Is Morally Wrong”